Post–Impressionism to World War II

Series Editor s Preface.
<p>Preface.</p>
<p>Acknowledgments..</p>
<p>Part I: Programs and Manifestos. .</p>
<p>Introduction.</p>
<p>1 Post–Impressionism (Roger Fry).</p>
<p>2 Why are we publishing a journal (Ver Sacrum editorial).</p>
<p>3 Notes of a Painter (Henri Matisse).</p>
<p>4 The Foundation and Manifesto of Futurism (F.T. Marinetti).</p>
<p>5 Dada Manifesto (Hugo Ball).</p>
<p>6 The Work Ahead of Us (Vladimir Tatlin).</p>
<p>7 First Manifesto of Surrealism (Andr&eacute; Breton).</p>
<p>8 Introduction to New Objectivity : German Painting since Expressionism (Gustav Hartlaub).</p>
<p>Part II: Spirit and Subjectivity.</p>
<p>Introduction.</p>
<p>9 Gustave Moreau (Joris–Karl Huysmans).</p>
<p>10 Symbolism in Painting: Paul Gauguin (G.–Albert Aurier).</p>
<p>11 from Abstraction and Empathy: A Contribution to the Psychology of Style (Wilhelm Worringer).</p>
<p>12 from Concerning the Spiritual in Art (Wassily Kandinsky).</p>
<p>13 Mystery and Creation (Giorgio de Chirico).</p>
<p>14 From Cubism and Futurism to Suprematism: The New Painterly Realism (Kazimir Malevich).</p>
<p>15 Neo–Plasticism: The General Principle of Plastic Equivalence (Piet Mondrian).</p>
<p>Part III: Mass Culture and Modernity.</p>
<p>Introduction.</p>
<p>16 The Mass Ornament (Siegfried Kracauer).</p>
<p>17 The Work of Art in the Age of Mechanical Reproduction" (Walter Benjamin).</p>
<p>18 Avant–Garde and Kitsch (Clement Greenberg).</p>
<p>19 Modernism in the Work of Art (Victor Burgin).</p>
<p>20 The Hidden Dialectic: Avantgarde – Technology – Mass Culture (Andreas Huyssen).</p>
<p>Part IV: Politics and the Avant–Garde.</p>
<p>Introduction.</p>
<p>21 The Politics of the Avant–Garde (Raymond Williams).</p>
<p>22 from Theory of the Avant–Garde (Peter B&uuml;rger).</p>
<p>23 Jugglers Fair Beneath the Gallows (Ernst Bloch).</p>
<p>24 Towards a Free Revolutionary Art (Andr&eacute; Breton, Diego Rivera and Leon Trotsky).</p>
<p>25 The Birth of Socialist Realism from the Spirit of the Russian Avant–Garde (Boris Groys).</p>
<p>Part V: Identity and Appropriation.</p>
<p>Introduction.</p>
<p>26 Going Native (Abigail Solomon–Godeau).</p>
<p>27 Virility and Domination in 20th–Century Vanguard Painting (Carol Duncan).</p>
<p>28 from Men s Work? Masculinity and Modernism (Lisa Tickner).</p>
<p>29 What the Papers Say: Politics and Ideology in Picasso s Collages of 1912 (David Cottington).</p>
<p>30 "Dada as Buffoonery and Requiem At the Same Time " (Hanne Bergius).</p>
<p>31 Surrealism: Fetishism s Job (Dawn Ades).</p>
<p>Index.</p>